June 8 - July 13, Creating Music Together presents: Keynotes - Being a Witness to Our Own Experience with former Alexander Teacher Frank Sheldon. $120. Apply@creatingmusictogether.org.
Each evening at 8:30 pm, there will be a presentation of the 75 minute program.
Erin Rogers (tenor saxophone), Kristen McKeon (alto saxophone), Dev Ray and Alex Lahoski (ebow steel string acoustic guitars) and Craig Shepard (speaker) present music supporting listeners to engage with text drawn from court testimony connected with the ongoing scandal in the Catholic Church.
No charge for admission. Seating is limited, RSVP required to get location.
Erin Rogers (tenor saxophone), Kristen McKeon (alto saxophone), Dan Joseph (hammer dulcimer), and Dev Ray and Alex Lahoski (ebow steel string acoustic guitars) and Craig Shepard (speaker) present music supporting listeners to engage with text drawn from court testimony connected with the ongoing scandal in the Catholic Church. The 75 minute presentation of sound and spoken word marks the release of a CD of the music for the project.
No charge for admission. Seating is limited, RSVP required to get location.
Assisted by Craig Shepard and Tony Geballe. Everyone writes and everyone performs. No prior experience necessary. Workshop begins at 9:30 am at 70 Havemeyer. Public performance at Our Lady of Mount Carmel Sanctuary 8:05 pm. Suggested donation: $50 for the day. Potluck lunch: please bring something to share. To apply for the workshop, email apply@creatingmusictogether.org, tell us who you are and why you want to join.
Assisted by Craig Shepard, Tony Geballe, and Dev Ray. Everyone writes and everyone performs. No prior experience necessary. Workshop begins at 9:30 am at 70 Havemeyer. Public performance at Our Lady of Mount Carmel Sanctuary 8:05 pm. Suggested donation: $50 for the day. Potluck lunch: please bring something to share. To apply for the workshop, email apply@creatingmusictogether.org, tell us who you are and why you want to join.
(at the madrid library during the spanish civil war it was discovered that it took a book of threehundred-andfifty pages to stop a bullett
This is the first concert of Music for Contemplation to be presented at the Center for Performance Research.
Tickets $25 at the door. $20 in advance
Light Box performance space | 8641 Linwood Street, Detroit, MI 48206 | One-day music workshop includes silence, listening exercises, and singing each other's thoughts. Everyone composes. Everyone sing's everyone else's creations. No prior experience necessary.
Workshop begins at 9:30 am. Public performance at 8:05 pm. Read about past workshops below. Everyone is welcome to join the concert which will include music coming into the world for the first time, created over the course of the day by workshop participants.
To apply for the workshop, email apply@creatingmusictogether.org, tell us who you are and why you want to join. Requested tuition $40 (no one turned away for lack of funds)
Suggested audience donation for the evening concert $10
The daylong workshop includes silence, vocal meditations, and basic exercises to create music together. Over the course of the day, the group will create and rehearse new music and present it at a public concert in the evening. No prior experience necessary.
Workshop begins at 9:30 am. Public performance at 8:05 pm. Suggested donation: $40 for workshop, $15 for the concert. Read about past workshops here. Everyone is welcome to join the concert which will include music coming into the world for the first time, created over the course of the day by workshop participants. To apply for the workshop, email craig[at]craigshepard[dot]net, tell us who you are and why you want to join.
Craig Shepard leads a day-long intensive workshop including vocal meditations, listening exercises, and group composition.
The workshop is open to anyone willing to make a commitment for the day. To apply, please send an email to craig@craigshepard.net and tell us who you are and why you want to participate.
Cellist Seth Parker Woods premieres Peter Garland's 45-minute continuous cello solo, Out of the Blue alongside new works by Martin Iddon and Michael Vincent Waller.
Erin Rogers (saxophone) performs an extended version of Swiss composer Christian Kobi's Raw Lines IV for saxophone and feedback.
Craig Shepard (trombone) performs a 90+minute version of Alvin Lucier's piece for trombone and sine wave. Slow waves sweep through the resonant space of Annunciation.
The New York Guitar Circle presents a program of music growing out of the cooperation in the group.
Works by Stuart Dempster for solo trombone, didjeridoo and large trombone ensemble. The trombones resonate throughout the space, embracing listeners in their tones. The center of the program is a new piece written for the evening for large trombone ensemble called "Tromba Annunciation". Featuring Monique Buzzarté, Chris McIntyre of TILT Brass, Tucker Dulin, Glen Freeman, Craig Shepard, Steve Swell, Bret Sroka, Deborah Weisz, David Whitwell, Peter Zummo, David Taylor and Mike Lormond.
The program will also include Conch Calling (1994) for multiple conch players, Dream Timepiece (2002) for multiple didjeridus, and Integrity29 for mixed ensemble with guitarist Tony Geballe and saxophonists Erin Rogers and Kristen McKeon.
$15 suggested donation at the door. $25 including download of highlights of the concert.
New Works composed and performed by Craig Shepard (trombone), Dan Joseph (dulcimer), Vita Wallace (violin), and Erin Rogers (saxophone).
Ensemble MufoCo performs carefully crafted interpretations of Pauline Oliveros’ text scores
The New Thread Quartet performs new works by Elizabeth Adams, Elisa Corona, Assaf Gidron and Beau Sievers
The 2014 season was curated by Craig Shepard, Dan Joseph, Tyler Wilcox and Erik Carslon and produced in cooperation with the Parish of Our Lady of Mount Carmel - Williamsburg. Supported by New Music USA.
Erik Carlson (violin) performs the beautiful and fragile 75-minute meditation of Michael Oesterle's l'hiver monastique.
Andrew Lafkas' new work Two Paths with Active Shadows under Three Moons and Surveillance (Second Phase) features Marcia Basset (electric guitar), Barry Weisblat (electronics), Ron Stabinsky (organ), Che Chen (violin), Marandi Hostetter (violin), Laura Ortman (violin), C Spencer Yeh (violin), Michael Bullock (bass), Andrew Lafkas (bass), Rick Brown (cymbal), Ryan Sawyer (cymbal), Sean Meehan (cymbal and snare), Brian Chase (bass drum), Sandy Gordon (bass drum), Gil Arno (microphone and recording), Wolfgang Gil (microphone and recording), Daniel Neumann (microphone and recording) and Ben Owen (microphone and recording).
Craig Shepard and Mark Broschinsky (trombones) frame reflective silences with songs and cannons, featuring Orlando di Lasso, Sequuntur Cantiones (sine textu), Larry Polansky, Christian Music, Anastassis Philippakopoulos, Song (for trombone), Song 6, Mark Broschinsky, somewhere far off, pass on and on, and Jack Callahan, substantia absolute infinita.
Craig Shepard (trombone), Tyler Wilcox (soprano sax), and Dan Joseph (hammer dulcimer) build passing moments out of soft tones of Antoine Beuger's Peckinpah Trios.
At the premier concert, Tyler Wilcox (bass clarinet) and Christopher Johnson (organ) perform long quiet drones of Eva-Maria Houben's tranquility , written especially for the series.
Affinity Brass performs new works for sextet by Erik Carlson, Dan Joseph, Craig Shepard, and Tyler Wilcox.